Biography


Born in 1961 in Denmark.
Lives and works in Copenhagen.

Bente Skjøttgaard ‘s artworks are born from her empirical knowledge of clay, her love for this natural and unpredictable matter, her desire to always push technical experiments further and to bring ceramics to new horizons. She draws inspiration from the relationship between Nature and Culture by transforming a matter that comes from nature into an artifact recalling roots, rock formations, aquatic fauna or flora, clouds or tornadoes. Her glazes irresistibly incite us to touch them, they foam and drip, sometimes evoking froth or volcanic rocks and other times a luscious pastry icing or melted ice cream. The artist’s experiments materialize as sculptures that are organic and sensual abstractions.

Exhibitions


Timberline

Bente Skjøttgaard

2. 02. > 08. 03. 2022

Timberline represents a border beyond which some forms of life cannot survive, thus extending a symbolic invitation to treasure life and value its importance. Here Bente Skjøttgaard pays tribute to trees, to their slow growth, to their resilient nature and their ability to absorb waste, to the precious shelter they become for many animals and tiny life forms.. […]

Tableau

Bente Skjøttgaard

7. 11. 2021 – 08. 01. 2022

The tableau or tableau vivant designates a type of theater, where actors are immobilized as a silent image for a brief instant on a set, usually inspired by History. In the science field, the word tableau (table) refers to a structured presentation of a specific topic in images, words or numbers. Tableaux by Bente Skjøttgaard brings to life both these definitions. […]

Look at me !

Bente Skjøttgaard

10.11.2018 – 5.01.2019

At the risk of sounding narcissistic – Look at me ! – the title of Bente Skjøttgaard’s new exhibition is not the epitome of discretion, for two reasons : first of all, because of the source of inspiration, the subject matter itself : a particularly reflective species that ineluctably catches the eye because of its luminous beauty. It is the so-called Sea walnut, a Comb jelly referred to as Mnemiopsis leidyi in Latin. Second of all, because of the great damages that this small auto-fertilising hermaphrodite has been causing since its accidental introduction in the Black Sea by the water spillage of cargos in the 1980s: a preoccupying biological and environmental reality that requires attention.

Off site


Musée des Beaux-Arts de Cambrai

Looking at clouds

Participation : Bente Skjøttgaard

21. 12. 2019 – 27. 06. 2020

Bente Skjøttgaard’s contemporary sculptures are presented alongside sketches by painter Georges Maroniez (1865-1933). The ensemble comes as an addition to the exhibition of the permanent collections entitled Regarder les nuages : pour une histoire de l’art du paysage. Choix dans les collections du musée. (Looking at clouds : For a history of landscape art. Picks from the museum’s collections).

Madoura – Lieu d’art, d’histoire et de création –  Vallauris

Look at me !

Bente Skjøttgaard

15.04 – 26.07.2019

“Bente Skjøttgaard makes us part of an ecological thought process in which drama lies insidiously in wait behind the wonder of materials and forms. The object of our fascination is Mnemiopsis leidyi, a pelagic ctenophore (comb jelly). Invasive, and as predatory as it is destructive, it exerts a never-ending fascination [extract from the text by Yves Peltier, curator].

Press


Monstres & Cie (in french)

La Strada

April - May 2019
N° 312
Michèle Nakache

L'hybride rose n°1539 de Bente Skjøttgaard (in french)

Ateliers d'Art

January - February 2016
N° 121
Eva Bensard

Bente Skjøttgaard, Entre ciel et terre (in french)

La revue de la céramique et du verre

September - october 2016
N°192
Pascale Nobécourt

Bienvenue dans la forêt céleste (in french)

Le Figaroscope

9 October 2013
Valérie Duponchelle

Les gestes de la céramique (in french)

Art press 2

November 2013 - January 2014
N° 31
Ann Hindry

Le retour du paysage (in french)

Ateliers d'Art

March - April 2011
N°92
Stéphanie Le Follic-Hadida

Sèvres, Musée national de céramique (in french)

La revue des Musées de France

April 2010
Jean-Roch Bouiller

Bente Skjøttgaard à la Galerie Maria Lund (in french)

La revue de la céramique et du verre

November - December 2010
N° 175
C.A.

Les blancs pétrifiés de Bente Skjøttgaard (in french)

La revue de la céramique et du verre

July - August 2008
N°161
Marielle Ernould-Gandouet

Publications and texts


Peter Martensen - The Multiverse Academy

Titre

Dates

Contrairement à une opinion répandue, le Lorem Ipsum n’est pas simplement du texte aléatoire. Il trouve ses racines dans une oeuvre de la littérature latine classique datant de 45 av. J.-C.,

Peter Martensen - Stjernenat - Nuit étoilée

Titre

Dates

Contrairement à une opinion répandue, le Lorem Ipsum n’est pas simplement du texte aléatoire. Il trouve ses racines dans une oeuvre de la littérature latine classique datant de 45 av. J.-C.,

Titre

Dates

Contrairement à une opinion répandue, le Lorem Ipsum n’est pas simplement du texte aléatoire. Il trouve ses racines dans une oeuvre de la littérature latine classique datant de 45 av. J.-C.,

Peter Martensen - The Present

Titre

Dates

Contrairement à une opinion répandue, le Lorem Ipsum n’est pas simplement du texte aléatoire. Il trouve ses racines dans une oeuvre de la littérature latine classique datant de 45 av. J.-C.,

Peter Martensen - Aften - Soir

Titre

Dates

Contrairement à une opinion répandue, le Lorem Ipsum n’est pas simplement du texte aléatoire. Il trouve ses racines dans une oeuvre de la littérature latine classique datant de 45 av. J.-C.,

Peter Martensen - The Big Discussion

Titre

Dates

Contrairement à une opinion répandue, le Lorem Ipsum n’est pas simplement du texte aléatoire. Il trouve ses racines dans une oeuvre de la littérature latine classique datant de 45 av. J.-C.,