“Vanishing lines that taper off into infinity, organic-looking forms suspended in space, unnameable strange clusters that refer to nothing or very little, then suddenly a perfectly identifiable element.
[…] In both her paintings and her drawings, Jung-Yeon Min’s work is full of a strange world that mixes biological, plant, animal and human references to inform an aesthetic in which the body, if it is not explicit, acts notably as a liberating medium of the creative act, a substitute for excessive control and for stopping breathing.” Philippe Piguet in Min Jung-Yeon, Demander le chemin à mes chaussures, MAMC+ Saint-Etienne Métropole, 2012.